Talented Hungarian photographer Sarolta Ban is back with more of her distinctive surreal images, but this time there’s a noble purpose behind her work – each image is meant to portray a shelter animal in a new light and help them find a loving home.
Everything seems to have begun with one image of a white dog that, according to Ban’s Facebook, she adopted. She went on to create a whole series of images featuring furry friends that are looking for homes.
She also started collecting images of animals from all over the world that are looking for homes. She plans to create beautiful images for them as well, and will gift copies of these beautiful images to the people that choose to adopt them.
“Abandoned dogs sadly have really few chances to appear on a photo that will help them get out of the shelter… [one] that stands out from the crowd, and ‘speaks’ to a person,” she explains on the project’s page.
If you enjoy her artwork, be sure to check out her page as well and buy a print or even get acquainted with a new furry friend!
It looks like something from the future but its 2014, its about time architecture looked as futuristic as this.
The brilliant aaerodynamic window tubed office, designed by Spanish architects Jose Selgas and Lucia Cano, allows its workers to feel as though they’re working in the middle of a Spanish forest. (This would have been the perfect back drop for the editors of Pans Labrynth).
Half of the office, which the two architects designed for their architecture firm Selgascano, is dug into the ground in a forest outside of Madrid. This ensures that the office stays cool even during the hot Spanish summers avoiding the feeling of being stuck in a green house.
A long window that curves up to the ceiling runs along the length of the office and eliminates the need for artificial lighting during the day. This window is also attached to a hinge and pulley mechanism that allows it to open up and keep the building ventilated. The other half of the building features an insulated fiberglass wall that helps shade the office’s workers from direct sunlight.
The office building’s sunken floor, along with the large and unusual window, means that employees sitting at their desks have an eye-level view of the forest floor. This is a company that really loves their employees!
This, combined with the view of the forest on one side and the sky above, make it seem like the office must be a fairly relaxing place to work.
Spanish artist Eloy Morales has created an eye-catching series of self portraits with an interesting catch – they’re not photographs, they’re paintings. Paintings of that quality? Lets all please take a moment and reflect on this genuine talent.
Finished? Okay… read on!
It has been the century/year/ month/whatever you want to call if, of the Selfie, the biggest craze in the western world. I know, its hard to say without cringing but we have all done it! Eloy Morales, turns his selfie style/self portraits into a blend of human figurative art and the traditional portrait by getting low down and dirty in some of the wet stuff… paint, people, paint!
We love when someone sticks it to the man. We won’t dare to say “out of the box thinking” but this guy thinks differently. Get messy with art. Be Creative , thats what we love!
Don’t do it better, do it differently like Eloy Morales.
Check out his other work, it isn’t too shabby either !
What you are about to see, are not paintings on canvas! Alexa Meade paints with acrylics directly on human flesh creating the illusion of painterly portraits.
“Alexa Meade is an installation artist based in the Washington, DC area. Her background in the world of political communications has fueled her intellectual interest in the tensions between perception and reality.
Alexa Meade’s innovative use of paint on the three dimensional surfaces of found objects, live models, and architectural spaces has been incorporated into a series of installations that create a perceptual shift in how we experience and interpret spatial relationships.” (from her BIO)
What may look like an example of Photoshop trickery was actually created by throwing some high powered glow sticks into the waterfalls of California. Using long exposure that would range from 30 seconds to 7 minutes, San Francisco-based photographers Sean Lenz and Kristoffer Abildgaard transformed the waterfalls into nocturnal underwater rainbows.
“This project came from months of refining a simple idea that finally turned into a concept worthy of using for an entire series,” says Kristoffer. “We were both fascinated by artificial light such as glow sticks, lasers, flares, and being big on landscape photography we tied them together in hopes of creating something that we had never seen before,” added the artist.
Even though neon lights is something completely unnatural and unrelated to the settings of the photoshoots, the final results in their ‘Neon Luminance‘ series are very harmonious.
The ‘From the Lenz’ artist duo also worked on lighting the nature around the waterfalls, and used various head lamps, road flares and even taking advantage of the moonlight: “Although this series was meant to focus mostly on glow sticks in waterfalls, we are exploring the idea of creating artificially lit landscapes in general as well, such as mountains, lakes, tree lines, grass fields and caves,” Mr Abildgaard added.
Canada-based photographer Matt Molloy brings sky photography to a new level. By stacking hundreds of separate sky shots he is able to achieve an incredible brush-like effect. Each final picture in his “Smeared Sky” series is a result of combining from 100 to 200 photographs.
The number of pictures he uses depends on various factors, such as weather conditions, cloudiness, or whether the object in the picture is moving or static. “Sometimes the clouds are moving quick and there’s lots of them. If I stack too many photos from a timelapse like that, it can get a little messy,” says Matt, adding that it’s usually mid day timelapses that cause more problems.
Matt has been shooting timelapses for over three years now: “For every day that I don’t shoot a timelapse, I probably shoot two the next day,” he says. What draws Matt to this process most is the experimenting, as you never know what you’re going to get in the end. That’s especially true with the sunsets, as the sky gets increasingly darker – but Matt says these timelapses seem to work very well.
Our first Artist of the week and with these inspiring images well deserved too!