What may look like an example of Photoshop trickery was actually created by throwing some high powered glow sticks into the waterfalls of California. Using long exposure that would range from 30 seconds to 7 minutes, San Francisco-based photographers Sean Lenz and Kristoffer Abildgaard transformed the waterfalls into nocturnal underwater rainbows.
“This project came from months of refining a simple idea that finally turned into a concept worthy of using for an entire series,” says Kristoffer. “We were both fascinated by artificial light such as glow sticks, lasers, flares, and being big on landscape photography we tied them together in hopes of creating something that we had never seen before,” added the artist.
Even though neon lights is something completely unnatural and unrelated to the settings of the photoshoots, the final results in their ‘Neon Luminance‘ series are very harmonious.
The ‘From the Lenz’ artist duo also worked on lighting the nature around the waterfalls, and used various head lamps, road flares and even taking advantage of the moonlight: “Although this series was meant to focus mostly on glow sticks in waterfalls, we are exploring the idea of creating artificially lit landscapes in general as well, such as mountains, lakes, tree lines, grass fields and caves,” Mr Abildgaard added.
This is a film by budding Irish film maker Ciaran Mcillhatton. The piece which was made in four days on a shoe string budget has been getting good reviews in the Belfast Film Festival.
Unknown to the mainstream, Ciaran a trained Physicist, has been steadily making progress within the underground film industry in Northern Ireland, a budding film industry with the emergence of Game of Thrones and the infamous Titanic Studios.
I asked Ciaran what camera he used to shoot the video and this was his response “on a Panasonic GH2. 14mm – 140mm f4.0-5.6 and 14mm f2.5 with wide angle adapter to 11mm lenses”… This level of detail is what many believe will boost Ciaran into the mainstream or that sub genre of film currently occupied by films such as Christoper Nolan’s Memento and Inception and most recently Danny Boyle’s Trance.
Ciaran describes working on the piece below:
“I tried making the piece as accurate to the final scene of Memento as possible. By trying to work out how to match the shots and style as close as possible it forces you to think about every aspect of the set up such as Lighting, lens choice and camera movement. After doing that you see the amount of effort required to make each shot look the way it does then you can see the reasons why the director chose to film this way and then understand the type of lighting, lenses and angles adds to the plot and unraveling of the story”.
Also as the piece was made for a competition and only had four days to work on producing it for the deadline, some of the audio and video quality is “not great” however Ciaran has started working on the proper edit recently and it will be ready very soon.
Although the film is not properly edited or finished, there must be a level of appreciation for the styles and quality of some of the shots in the film. Also the backdrop of the whole piece is authentic and very close to the original.
You can also tell from his work that Ciaran is a trained Physicist by trade therefore Directors such as Christoper Nolan and Danny Boyle and directors who dabble in the filming the subconscious may beware as one day the student may most certainly become the master.
Canada-based photographer Matt Molloy brings sky photography to a new level. By stacking hundreds of separate sky shots he is able to achieve an incredible brush-like effect. Each final picture in his “Smeared Sky” series is a result of combining from 100 to 200 photographs.
The number of pictures he uses depends on various factors, such as weather conditions, cloudiness, or whether the object in the picture is moving or static. “Sometimes the clouds are moving quick and there’s lots of them. If I stack too many photos from a timelapse like that, it can get a little messy,” says Matt, adding that it’s usually mid day timelapses that cause more problems.
Matt has been shooting timelapses for over three years now: “For every day that I don’t shoot a timelapse, I probably shoot two the next day,” he says. What draws Matt to this process most is the experimenting, as you never know what you’re going to get in the end. That’s especially true with the sunsets, as the sky gets increasingly darker – but Matt says these timelapses seem to work very well.
Our first Artist of the week and with these inspiring images well deserved too!
Where Children Sleep presents English-born photographer James Mollison’s photographs of children’s bedrooms around the world – from the U.S.A., Mexico, Brazil, England, Italy, Israel and the West Bank, Kenya, Senegal, Lesotho, Nepal, China and India – alongside portraits of the children themselves.
“I hope the book gives a glimpse into the lives some children are living in very diverse situations around the world; a chance to reflect on the inequality that exists, and realise just how lucky most of us in the developed world are,” – says James.
So last night for some unknown reason I was feeling quite inspired. Really for an art blog, I should be referencing an artist as my inspiration but in truth it just came out of nowhere! I was looking at some of my work I had done when I was younger (16/17) and decided that I wanted to play around in Photoshop with the photos to see what I could come up with now. As regular Photoshoppers would know using the software can sometimes be quite restrained and hard to portray and sort of expressionism. However, I thought to myself “I’m going to go a bit crazy with this and see what happens”…
This was the result and i’m pretty happy with it. It looks like a mixture of some of Francis Bacon’s work and the album cover of the Sex Pistols “God Save the Queen”. Also, I think it has a bit of a cubist element to it. This is probably because my girlfriend never stops talking about Pablo Picasso as she specialises in studying him at University and it has now become engrained into the right side of my brain!
Anyway, I just wanted to share this with everyone. What do you think? Could it be any better? As an artist I know work can always get better and its never quite finished however I just thought this piece looked quite interesting and could be inspirational to some people.
Every time you see a crowd of Catalans gathered in one place, a strike or a riot is the safest guess, however sometimes it might mean a different and truly spectacular thing. What turned out to be a typical way to celebrate any bigger occasion, doesn’t get any more impressive than in the Concurs de Castells (“competition of castles” in Catalan), where hundreds of people compete in who will form a bigger one.
The competition is held in Tarragona every two years and attracts over 20 000 viewers. Last year 32 teams participated, each one consisting from 100 to 500 members. The towers reach from 6 to 10 levels in hight, and are built from men, women and children alike. The usual way is to keep the male team members (and the heavier ones at that) at the bottom, while women and children go up to form the top levels. In order to win the competition, the complexity of the tower is judged as well as its hight.
With the“Strength, balance, courage and common sense” slogan serving as the moto of the tradition, human towers have been recognized as the UNESCO cultural heritage in 2010, and have been considered as one of the most important Catalan traditions for over 200 years now. Below are some stunning shots by David Oliete, capturing the magnitude of the event!